667 Dark Avenue: Answering the Wrong Questions
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667 Dark Avenue: Answering the Wrong Questions :: The Burdensome Books :: Wretchedly Wrong Questions :: "Dear 667 Dark Avenue"... Including: CHAPTER TWO
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 "Dear 667 Dark Avenue"... Including: CHAPTER TWO
« Thread Started on Jun 13, 2012, 10:34am »
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CHAPTER TWO


If you ask the right librarian and you get the right map, you can find the small dot of a town called Stain’d-by-the-Sea, about half a day’s drive from the city. But the town is actually nowhere near the sea but instead at the end of a long, bumpy road that has no name which is on no map you can find. I know this because it was in Stain’d-by-the-Sea that I spent my apprenticeship, and not in the city, where I thought it would be. I did not know this until S. Theodora Markson drove the roadster past the train station without even slowing down.
“Aren’t we taking the train?” I asked.
“That’s another wrong question,” she said. “I told you there’s been a change of plans. The map is not the territory. That’s an expression which means the world does not match the picture in our heads.”
“I thought we were working across town.”
“That’s exactly what I mean, Snicket. You thought we were working across town, but we are not working in the city at all.”
My stomach fell to the floor of the car, which rattled as we took a sharp turn around a construction site. A team of workers were digging up the street to start work on the Fountain of Victorious Finance. Tomorrow, if it were possible for an apprentice to sneak away for lunch, I was supposed to meet someone right here, in hopes of measuring how deep the hole was that they were digging. I’d managed to acquire a new measuring tape for just that purpose, one that stretched out a very long distance and then scurried back into its holder with a satisfying click. The holder was shaped like a bat, and the tape measure was red, as if the bat had a very long tongue. I realized I would never see it again.
“My suitcase,” I said, “is at the train station.”
“I purchased some clothes for you,” Theodora said, and tilted her helmeted head toward the backseat, where I saw a small, bruised suitcase. “I was given your measurements, so hopefully they fit. If they don’t, you will have to either lose or gain weight or height. They’re unremarkable clothes. The idea is not to attract attention.”
I thought that wearing clothes either too big or too small for me would be likely to attract attention, and I thought of the small stack of books I had tucked next to the bat. One of them was very important. It was a history of the city’s underground sewer system. I had planned to take a few notes on chapter 5 of the book, on the train across town. When I disembarked at Bellamy Station, I would crumple the notes into a ball and toss them to my associate without being seen. She would be standing at the magazine rack at Bellamy Books. It was all mapped out, but now the territory was different. She would read magazines for hours before catching her own train to her own apprenticeship, but then what would she do? What would I do? I scowled out the window and asked myself these and other hopeless questions.
“Your reticence is not appreciated,” Theodora said, breaking my sour silence. “‘Reticence’ is a word which here means not talking enough. Say something, Snicket.”
“Are we there yet?” I asked hopefully, although everyone knows that is the wrong question to ask the driver of a car. “Where are we going?” I tried instead, but for a moment Theodora did not answer. She was biting her lip, as if she were also disappointed about something, so I tried one more question that I thought she might like better. “What does the S stand for?”
“Someplace else,” she replied, and it was true. Before long we had passed out of the neighbourhood, and then out of the district, and then out of the city altogether and were driving along a very twisty road that made me grateful I had eaten little. The air had such a curious smell that we had to close the windows of the roadster, and it looked like rain. I stared out the window and watched the day grow later. Few cars were on the road, but all of them were in better shape than Theodora’s. Twice I almost fell asleep thinking of places and people in the city that were dearly important to me, and the distance between them and myself growing and growing until the distance grew so vast that even the longest-tongued bat in the world could not lick the life I was leaving behind.
A new sound rattled me out of my thoughts. The road had become rough and crackly under the vehicle’s wheels as Theodora took us down a hill so steep and long I could not see the bottom of it through the roadster’s dirty windows.
“We’re driving on seashells,” my chaperone said in explanation. “This last part of the journey is all seashells and stones.”
“Who would pave a road like that?”
“Wrong question, Snicket,” she replied. “Nobody paved it, and it’s not really a road. This entire valley used to be underwater. It was drained some years back. You can see why it would be absolutely impossible to take the train.”
A whistle blew right then. I decided not to say anything. Theodora glared at me anyway and then frowned out the window. A distance away was the hurried, slender shape of a long train, balancing high above the bumpy valley where we were driving. The train tracks were on a long, high bridge, which curved out from the shore to reach an island that was now just a mountain of stones rising out of the drained valley. Theodora turned the roadster toward the island, and as we approached I could see a group of buildings—faded brick buildings enclosed by a faded brick wall. A school, perhaps, or the estate of a dull family. The buildings had once been elegant, but many of the windows were shattered and gone, and there were no signs of life. I was surprised to hear, just as the roadster passed directly under the bridge, the low, loud clanging of a bell, from a high brick tower that looked abandoned and sad on a pile of rocks.
Theodora cleared her throat. “There should be two masks behind you.”
“Masks?” I said.
“Don’t repeat what I say, Snicket. You are an apprentice, not a mynah bird. There are two masks on the backseat. We need them.”
I reached back and found the items in question but had to stare at them a moment before I found the courage to pick them up. The two masks, one for an adult and one for a child, were fashioned from a shiny silver metal, with a tangle of rubber tubes and filters on the back. On the front were narrow slits for the eyes and a small ripple underneath for the nose. There was nothing where a mouth might be, so the faces of the masks looked at me silently and spookily, as if they thought this whole journey was a bad idea.
“I absolutely agree,” I told them.
Theodora frowned. “That bell means we should don these masks. ‘Don’ is a word which here means ‘put on our heads.’ The pressure at this depth will make it difficult to breathe otherwise.”
“Pressure?”
“Water pressure, Snicket. It’s everywhere around us. Masked or not, you must use your head.”
My head told me it didn’t understand how there could be water pressure everywhere around us. There wasn’t any water. I wondered where all the water had gone when they’d drained this part of the sea, and I should have wondered. But I told myself it was the wrong question and asked something else instead. “Why did they do this? Why did they drain the sea of its water?”
S. Theodora Markson took off her helmet, and for a moment I glimpsed a great deal of wild, long hair before she took one mask from my hands and slipped it onto her head. “To save the town,” she replied in a muffled voice. “Put your mask on, Snicket.”
I did as Theodora said. The mask was dark inside and smelled faintly like a cave or a closet that had not been opened in some time. A few tubes huddled in front of my mouth, like worms in front of a fish. I blinked behind the slits at Theodora, who blinked back.
“Is the mask working?” she asked me.
“How can I tell?”
“If you can breathe, then it’s working.”
I did not say that I had been breathing previously. Something more interesting had attracted my attention. Out the window of the roadster I saw a line of big barrels, round and old, squatting uncovered next to some odd, enormous machines. The machines looked like hug hypodermic needles, as if a doctor were planning on giving several shots to a giant. Here and there were people—men or women, it was impossible to tell in their masks—checking on the needles to make sure they were working properly. They were. With a swinging of hinges and a turning of gears, the needles plunged deep into holes in the shell-covered ground and then rose up again, full of a black liquid. The needles deposited the liquid, with a quiet black splash, into the barrels and then plunged back into the holes, over and over again while I watched through the slits in my mask.
“Oil,” I guessed.
“Ink,” Theodora corrected. “The town is called Stain’d-by-the-Sea. Of course, it is no longer by the sea, as they’ve drained it away. But the town still manufactures ink that was once famous for making the darkest, most permanent stains.
“And the ink is in those holes?”
“Those holes are long, narrow caves,” Theodora said, “like wells. And in the caves are octopi. That’s where the ink comes from.”
I thought of a friend of mine who had also just graduated, a girl who knew about all sorts of underwater life. “I thought octopi make ink only when they are frightened.”
“I imagine an octopus would find those machines very frightening indeed,” Theodora said, and she turned the roadster into a narrow path in the shells that twisted upward, climbing a steep and craggy mountain. At its peak, I could see a faint, pulsing light through the afternoon gray. It took me a minute to realize that it was a lighthouse, which stood on a cliff that overlooked what had been waves and water and was now just a vast, eerie landscape. As the roadster spluttered up the hill, I looked out the windows on Theodora’s side and saw that opposite the inkwells was another strange sight.
“The Clusterous Forest,” Theodora said, before I could even ask. “When they drained the sea, everyone thought all of the seaweed would shrivel up and die. But my information says that for some mysterious reason, the seaweed learned to grown on dry land, and now for miles and miles there is an enormous forest of seaweed. Never go in there, Snicket. It is a wild and lawless place, not fit for man or beast.”
She did not have to tell me not to go into the Clusterous Forest. It was frightening enough just to look at it. It was less like a forest and more like an endless mass of shrubbery, with the shiny leaves of the seaweed twisting this way and that, as if the plants were still under churning water. Even with the windows shut, I could smell the forest, a brackish scent of fish and oil, and I could hear the rustling of thousands of strands of seaweed that had somehow survived the draining of the sea.
The bell rang again as the roadster finally reached the top of the hill, signaling the all-clear. We removed our masks, and Theodora steered the car onto an actual paved road that wound past the blinking lighthouse and down a hill lined with trees. We passed a small white cottage and then came to a stop at the driveway of a mansion so large it looked like several mansions had crashed together. Parts of it looked like a castle, with several tall towers stretching high into the cloudy air, and parts of it looked like a tent, with heavy gray cloth stretched over an ornate garden crawling with fountains and statues, and parts of it looked more like a museum, with a severe front door and a long, long stretch of window. The view from the window must have been very pretty once, with the waves crashing below the cliffs. It wasn’t pretty anymore. I looked down and saw the top of the Clusterous Forest, moving in slow ripples like spooky laundry hung out to dry, and the distant sight of the needles spilling ink into the waiting barrels.
Theodora braked and got out of the car, stretched, and took off her gloves and her leather helmet. I finally had a good look at her long, thick hair, which was almost as strange a sight as everything I had seen on the way. I needed a haircut, but S. Theodora Markson made me look bald. Her hair stretched out every which way from her head in long, curly rows, like a waterfall made from tangled yarn. It was very hard to listen to her while it was in front of me.
“Listen to me, Snicket,” my chaperone said. “You are on probation. Your penchant for asking too many questions and for general rudeness makes me reluctant to keep you. ‘Penchant’ is a word which here means habit.”
“I know what penchant means,” I said.
“That is exactly what I’m talking about,” Theodora said sternly, and quickly rang her fingers through her hair in an attempt to tame it. It was impossible to tame, like leeches. “Our first client lives here, and we are meeting with her for the first time. You are to speak as little as possible and let me do the work. I am very excellent at my job, and you will learn a great deal as long as you keep quiet and remember you are merely an apprentice. Do you understand?”
I understood. Shortly before graduation I’d been given a list of people with whom I could apprentice, ranked by their success in their various endeavours. There were fifty-two chaperones on the list. S. Theodora Markson was ranked fifty-second. She was wrong. She was not excellent at her job, and this was why I wanted to be her apprentice. The map was not the territory. I had pictured working as an apprentice in the city, where I would have been able to complete a very important task with someone I could absolutely trust. But the world did not match the picture in my head, and instead I was with a strange, uncombed person, overlooking a sea without water and a forest without trees.
I followed Theodora along the driveway and up a long set of brick stairs to the front door, where she rang the doorbell six times in a row. It felt like the wrong thing to do, standing at the wrong door in the wrong place. We did it anyway. Knowing that something is wrong and doing it anyway happens very often in life, and I doubt I will ever know why.
---
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #1 on Jun 13, 2012, 10:40am »
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Brilliant. The napkins are curious, but the illustrations are fantastic. I'll have a look at that second chapter now.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #2 on Jun 13, 2012, 10:50am »
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OMG!

This comes just at the moment I have to leave. Of course. I'll digest it later.

So - we had to wait for the release of Chapter 1 before he could send us Chapter 2? Though it might have been fun in some ways if we had got Chapter 2 first.

I'm beginning to wonder if the series is, after all, set in Britain - not only is 'X-by the-Sea' a standard British place name, but 'The Y Arms' is a standard British pub name. Interesting.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #3 on Jun 13, 2012, 11:07am »
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I'm glad you got this package, and thanks so much for sharing it!

The illustrations are all great; I see that Seth is doing Helquist-esque crowd scenes now.

I was intrigued by the map-and-territory quote; it's one I've encountered before, in connection to matters like simulacra (images that seem more "real" than reality) and linguistic determinism (the notion that language shapes the way we think). And Borges wrote a story on that theme. Interesting to see Snicket using it.

The territory of this chapter is incredibly strange (note also that in the first paragraph, it's directly stated to not match the map). I see I was correct about them harvesting ink from octopi (though not in that way), but we certainly weren't expecting such a context for the "Pressure?" exchange. Especially since the masks don't seem to be necessary; it's as if everyone is pretending to be underwater.

Also, I think I see a connection between this town's name and the epithet that's been used for it: Stain'd, fading. Some of the buildings are already faded, but I wouldn't be surprised if the ink supply was running out, and if this became a plot point. Note also that Markson can be parsed as "marks on," another phrase related to ink and stains.

"Clusterous" isn't a word I have ever heard-- it gets few Google results, and it's in the OED but marked as "Obs[olete] rare" with only one citation from 1582. So I'd guess Handler coined it, thinking of it as new-- which is odd, since he usually uses well-established but somewhat obscure words. I would have gone with "Filamentous Forest," as "filamentous" is a word actually used for algae.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #4 on Jun 13, 2012, 11:11am »
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Quick observations:

Nice to see the Fountain of Victorious Finance. It seems we'll learn more about its past.

We've found the origins of the Qwerty excerpt, as well as possibly a few others. Can we guess who the knowledgeable friend is?

But the town still manufactures ink that was once famous for making the darkest, most permanent stains. This reminds one of the UA's It was not coffee, but black ink that made the jacket's stain. I guess we'll learn about the significance behind that, too.

Why would Lemony want to be apprentice to someone not good at her job?

The forest of seaweed is another of Snicket's absurdities, but a good one, I think, and certainly a point in the plot we'll see later.

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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #5 on Jun 13, 2012, 11:11am »
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It would be fantastic if it is set in Britain. Those napkins are pretty amazing.

Reading chapter two now.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #6 on Jun 13, 2012, 11:52am »
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Jun 13, 2012, 11:11am, Sherry Ann wrote:
Nice to see the Fountain of Victorious Finance. It seems we'll learn more about its past.


Yes, I really wasn't expecting that; perhaps it's a sign that there really will be a lot of continuity with ASoUE in this new series. I'm sure we all hope so, even though we'd manage without.


Quote:
We've found the origins of the Qwerty excerpt, as well as possibly a few others. Can we guess who the knowledgeable friend is?


More accurately, the "When does the bell ring?" excerpt - and I think the friend knowledgeable about underwater life could be a knod to Josephine, since she's the only character we know of who specifically knows about underwater life and is female.


Quote:
Why would Lemony want to be apprentice to someone not good at her job?


I wondered that, and I think it's a bit like some of the references in Chapter One that we don't understand yet - it's something we'll pick up on more fully in time. Maybe he thought he could distinguish himself better under a worse tutor, as well as being able to work with Beatrice - who, it seems, is the illustration in that full-page picture.

The full-page picture is intriguing; I wonder where in the book it comes, since it fits into Chapter Two but isn't part of its page numeration. Maybe it's between One and Two? Like Antenora, I was impressed to see Seth also doing Helquistian crowd scenes - given the detail on that and his two full chapter images we've seen, I no longer have any concerns about his art. With that said, I'm not sure the graph paper versions are final - since the Chapter One that Egmont released had a chapter illustration that wasn't graph paper but fully refined. So I think maybe that's in some way still a draft or work-in-progress.

Edit: Also, I think Antenora is completely right about the marks-on connection; if true, that suggests that this has all been planned exceedingly carefully.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #7 on Jun 13, 2012, 11:57am »
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A further idea: Someone in the Apprentice Case thread noted that the octopus in Ink Inc's logo has only six arms (making it a hexapus). Could that be the meaning of "The Lost Arms"?
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #8 on Jun 13, 2012, 11:58am »
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I had presumed it was stylistic, but that's an intriguing possibility / conceptual link.

Edit: While I'm here, I forgot to mention that the adorable bat tape measure is another obvious nod to Beatrice - obvious if you've read TBL, anyway!
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #9 on Jun 13, 2012, 12:14pm »
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I don't think the six arms was a mere artistic convenience, since that's a rather glaring error for a creature with the a prefix meaning "eight" in its very name, but linking that to "The Lost Arms" fits well. I had considered the possibility of octopi hunters losing their arms to the creatures, but there's really no indication of that, well, anywhere.

Also, interesting about the graph paper as a draft for the official work. This slots nicely with the teasers as it suggests a work in progress, and indeed shows signs of becoming solid.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #10 on Jun 13, 2012, 12:15pm »
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The octopi could possibly have lost a couple arms to careless drilling, although they can regenerate lost arms.

Further thoughts on the map-territory theme: the people of the town clearly have a mental map which places them underwater, hence their masks, but the territory is not really undersea (it looks that way, but the fact that it's not should be obvious). I suspect that the map-territory motif may be an ongoing one in this book, and possibly the series, like the mirror-image motifs of TPP.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #11 on Jun 13, 2012, 12:40pm »
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Well, a map is just one more example of a drawn or printed image, much like a page, unless it's a blank one. It reminds us of how ink is crucial, but that ink may be wasted if the map doesn't fit the territory and is therefore useless. And for that matter, it links us back to Quigley's interest in cartography, as quite a few little hints here and there do. They aren't necessarily substantial references, but if they remind us of ASoUE, I think they probably reminded Handler of it, too.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #12 on Jun 13, 2012, 1:09pm »
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Quote:
Before long we had passed out of the neighbourhood, and then out of the district, and then out of the city altogether and were driving along a very twisty road that made me grateful I had eaten little. The air had such a curious smell that we had to close the windows of the roadster.

Perhaps they're passing by Lousy Lane here.

I wonder what it is that Theodora does that she's not-so-excellent at. It probably has something to do with the ink business.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #13 on Jun 13, 2012, 1:34pm »
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Great point, Sophie Baudelaire, I agree. This is what I mean - there are so many little references like this, more than I expected. For that matter, I wonder if the Bellamy Station and Bookstore is linked to Jonah and Sadie Bellamy from The End? Maybe their family owned it.
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 Re: "Dear 667 Dark Avenue"... Including: CHAPTER T
« Reply #14 on Jun 13, 2012, 1:53pm »
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Oo!

What is Theodora's job that she's not good at? - I would guess investigating, since that's what VFD seems largely to do.

Why does Lemony want a chaperone who's not good at her job? - Perhaps so that he can outshine her?

Who is L's friend who is knowledgeable about marine things? - I rather doubt it's Josephine, as I would have thought that she was quite a bit older than Lemony. My first thought, for some reason, was of the 'Widdershins' family, but Mrs Widdershins would have to be older than Lemony too, to be old enough to be Fernald's mother. Oh - unless, as we speculated earlier, schooling doesn't depend on age (which, it strikes me, could also be a solution to the problem of how she could have been a friend of Esme).

Where is it set? - I still think it's unlikely to be Britain, really; there are a lot of things which feel North American in ASOUE. But perhaps it's a place that has been influenced a lot by British culture, as indeed its having a Royal Garden might suggest.

When, er, when - when did the ink cease to be famous? That is, the phrasing is rather striking - 'this town still manufactures the ink which used to be famous'.

How am I to finish this series of questions, which I started by accident, but then realised what I was doing? - Oh good, I have done.
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