So the mention of the metric system helps us place a period of time for the series. It is generally agreed by fans that the series is most likely to be set in Australia, the US or the UK, which would make it be at least 1965, 1974 or 1971 respectively. Unless of course it's set somewhere else, or Mrs. Bass inherited the system from another country?
I agree with Dante that it's not meant to be set in a particular country, but it does have, I think, a North American feel to it. The way Mrs Bass' obsession with the metric system is described makes it seem like that's not the most common method of measuring things, even if it is known by most people.
The sole function of the advanced computer that we're ever shown is displaying a picture of Count Olaf on its screen. It doesn't do anything!
Lemony does think it might be capable of forging documents in TUA. That doesn't mean it actually can, though.
Do you think Nero was the one at the orchestra when the Baudelaire parents went out one night?
I was thinking it might be, but you'd think he'd have been working at Prufrock then, so he wouldn't have been in the city and he would have been giving his nightly concerts at the school instead. I guess he could have had the evening off.
Chapter TenHow much did the Quagmires find out in the library? Clearly, they were able to read some information about VFD, but what? Did they just read the newspaper - maybe stumble across
Secret Organisations You Should Know About? Or were they actually recruited by the librarian? The way they talk to the Baudelaires here makes it sound like they don't know that much yet, but maybe they just didn't want to confuse/overwhelm them.
I'd be really interested to know what Duncan and Isadora found out from the newspaper based in the city. This starts the tradition of someone getting cut off when they were about to say something important.
'"If I took the ribbon from your hair, Violet, and Duncan took Klaus's glasses, we'd look enough like you that I bet Coach Genghis couldn't tell."' (p161) How would Klaus be able to study without his glasses? TMM establishes he can barely do anything without them.
Would wearing different shoes really make your feet make a different sound on the grass?
Quigley dressing up as a baby is such a funny image I don't even mind how improbable it is that Duncan would think of this as a viable plan.
The Baudelaires feel nervous about stealing things from the cafeteria but not particularly guilty, and any guilt associated with the Quagmires springs more from the way they are risking their lives rather than from them disguising themselves and trying to fool Olaf. As I said in the TWW thread, I think the main way the Baudelaires' morality changes over the course of the series is their awareness of it, but I guess this could be seen as the start of that, since they do have negative emotions about the plans they are putting into place, whereas this wasn't so much of a feature when Violet broke into Olaf's suitcase or when they stole the sailboat.
Chapter ElevenI love everything about the masked ball passage.
'I once attended one of the famed masked balls hosted by the duchess of Winnipeg,' (p167) This sounds like multiple Masked Balls have occurred, but Lemony has only attended one.
The description of Lemony being pursued by the palace guards is odd, considering he and R are friends (or at least are later described this way). Maybe the 'palace guards' don't really work for R; instead, they're on the villainous side of the schism and are disguising themselves as her servants.
Up to now, disguising oneself has been considered a hallmark of Olaf and therefore a villainous act, but now we see it's something all VFD members seem to do (even if we don't know these characters as VFD members yet).
'I [...] gave her the message I'd been trying to give her for fifteen long and lonely years.' (p168) This implies that the Masked Ball occurred towards the end of Beatrice's life.
'"Beatrice," I cried just as the scorpions spotted me, "Count Olaf is"' (p168) ...what? "Count Olaf is here"? Makes sense contextually, but I don't see how Lemony can have been trying to give Beatrice that message for fifteen years. "Count Olaf is trying to kill you"?
'some shoes couldn't turn them into one another any more than a woman disguised as a dragonfly can actually take wing and escape the disaster awaiting her.' (p171) This makes me think of the Netflix series, where Beatrice actually is able to evade Olaf by hang-gliding using her dragonfly costume. Of course, she is still unable to escape disaster in a wider sense.
This is the Baudelaires' tenth sleepless night in a row. Poor kids.